When writing poems, one should avoid all forms of clichés. However, sometimes the form itself can be a cliché.
Take Victorian poetry (and keep it.)
When writing poems, one should avoid all forms of clichés. However, sometimes the form itself can be a cliché.
Take Victorian poetry (and keep it.)
I have rambled on about what poetry is, isn’t, and what it should be. But I have never gotten around to talking about how to write it or how to become a poet.
I am going to try to take care of that with as little crying as possible.
Please note: I did not say that there would be no crying.

And so we land at the crime he is most famous for. The poem that killed poetry. “Ars Poetica.” In this poem, MacLeish’s thesis is a poem is a waste of time and one shouldn’t even bother with it. And with his poetry he comes SO CLOSE to proving this theory!
Continue reading “Archibald MacLeish Part Two: Arse Poetica”
A key point about writing genre novels (and what ISN’T a genre these days) is to read heavily in the genre you wish to write in.
Which, yes, okay… that’s true. If you want to write Romance, read Romance. Take a look at modern trends, look at how the market is going, then take your story and aim for the biggest readership you can get. That’s all fine.
Here’s the problem: ONLY reading within your genre.
Note: No-Draft Theater is an exercise in improvisational fiction. I intend to write short pieces of fiction only one-to-three posts long, no outlining or other preparation, with each post around a thousand words. These pieces of fiction will only go through the most cursory editing.
“Well, then, what do you really do, Dad?”
He smiled wanly. “I am a Liar, Susana.”